CV

EDUCATION

I am an Associate Lecturer and Researcher in Contemporary Arts at the Lancaster University Institute for Contemporary Arts (LICA). I lead my work as a practice-based research to artmaking. I work with painting and textile techniques and draw on a Deleuzoguattarian framework, in combination with an enactive approach, to analyse material creative processes. I am also have a record of working with Professor Emma Rose, from Lancaster University, in interdisciplinary art and health projects, which involve working with vulnerable groups, such as refugees and survivors of torture. The aim of these projects is to advance knowledge in how participatory arts can benefit health and wellbeing, from which we have some publication records in high-ranked journals. I have also exhibited my work internationally in renowned exhibition venues and conferences as a scholar and painter.

Academic Qualifications:

2014 – 18         PhD in Contemporary Art. Lancaster University, UK.

2012 – 13         MA (Hons) Fine Arts. Anglia Ruskin University, UK.

2006 – 08         Postgraduate qualification (Hons) in Art Restoration and Conservation. Universidad de Chile.    

2005 – 06         BA (Hons) Digital Illustration. Duoc UC, Chile.

2003 – 04         Undergraduate Exchange. Universidad Politécnica de Valencia, Spain.

2000 – 04         BA Visual Arts. Pontificia Universidad Católica de Chile (PUC) Santiago, Chile.

ACADEMIC EXPERIENCE

RESEARCH ASSOCIATE. (February – September 2018). Art of Recovery at FfT, Manchester and London. Project funded by Leverhulme Trust. Project leaders: Professor Emma Rose, Dr Amanda Bingley (Lancaster University) and Kirsten Lamb (FfT Manchester), UK.

ASSOCIATE LECTURER IN PAINTING. (2018 – 2019 Academic Year). Full-time Leave Replacement Cover: Core Module Studio Practice – one-to-one tutorials, group crits, assessments and writing individual feedbacks; Half Module: Painting in the Expanded Field – tutorials, seminars, lectures, technical workshops (Monoprint & Colour) and assessments; Lecture about Monet and Modernism; Supervision of 10 students 3rd Year Dissertations; 6 hours seminar of Semiotics and Structuralism – seminars and assessments; Technical Workshops Demonstrations in Painting (Collage; Stencil; Surfaces and Mediums; Stretching, Priming and Sizing Canvass and Paper & Introduction to Pictorial Materials and Methods). YEAR 1, 2 & 3. BA Fine Arts. LICA, Lancaster University, UK.

WRITING MENTOR. (2017 – to date). BA, MA and PhD Students. Academic Writing Space, of the Faculty of Art and Social Sciences (FASS). Lancaster University, UK.

ASSOCIATE LECTURER IN PAINTING. (2017 – 2018 Full academic year). Leave Replacement Cover: Core Module Studio Practice – tutorials and assessments. YEAR 1, BA Fine Arts. LICA, Lancaster University, UK.

RESEARCHER AND TUTOR. (Jun 2017 – Sep 2018). ‘Art of Recovery: Supporting Refugees Traumatised by Torture’ at FfT, Manchester. Project leaders: Professor Emma Rose, Dr Amanda Bingley (Lancaster University) and Kirsten Lamb (FfT Manchester), UK.

TUTOR. (18 April – 29 June 2018). The Brilliant Club Scholar Programme, UK non-profit organisation. Summer Term. Working with 7 & 8 Year Pupils from The Fulwood Academy, Preston UK.

ASSOCIATE LECTURER IN PAINTING. (Lent term 2018). Leave Replacement Cover: Core Module Studio Practice – assessment. YEAR 2 & 3, BA Fine Arts. LICA, Lancaster University, UK.

ASSOCIATE LECTURER IN PAINTING. (14 & 21 Feb 2018). Workshops: Introduction to Pictorial Materials and Methods. YEAR 1, BA Fine Arts. Lancaster Institute of Contemporary Arts (LICA). Lancaster University, UK.

ASSOCIATE LECTURER IN PAINTING. (24 & 31 Jan 2018). Workshops: Stretching, Sizing and Priming Canvasses & Paper. YEAR 1 & 2, BA Fine Arts. Lancaster Institute of Contemporary Arts (LICA). Lancaster University, UK.

WORKSHOP DESING AND TUTOR. (17 Nov 2017). Painting workshop for “Mirrors”. Pip Dickens Exhibition at the Storey Gallery. Lancaster, UK.

ASSOCIATE LECTURER IN PAINTING. (19 & 26 Oct 2017). Technical workshop: Stencil. YEAR 2, BA Fine Arts. Lancaster Institute of Contemporary Arts (LICA). Lancaster University, UK.

ASSOCIATE LECTURER IN PAINTING. (2 & 9 Nov 2017). Technical workshop: Collage. YEAR 2, BA Fine Arts. Lancaster Institute of Contemporary Arts (LICA). Lancaster University, UK.

RESEARCHER. (3 April – 14 Jun 2017). PGRise programme. Enterprise Centre, Lancaster University, UK.

ASSOCIATE LECTURER IN PAINTING. (Summer Term, 24 April – 26 May 2017). Core Module Studio Practice – tutorials and assessment. YEAR 1, BA Fine Arts. Lancaster Institute of Contemporary Arts (LICA). Lancaster University, UK.

TUTOR. (Feb, March & April 2017). Target Connect Sessions at Loreto High School in Manchester. Preparation of A-Level students to apply to University. Lancaster University, UK.

TUTOR. (6 Feb – 24 March 2017). Policy School. Team Leader guiding 6 UG and MA students, to develop a response to the Green Paper: ‘Industrial Strategy’, issued by the UK Government and Westminster. Cabinet Office, Lancaster University, UK.

ASSISTANT LECTURER IN PAINTING. (6 Feb – 20 March 2017). Half Module: Painting in the Expanded Field – tutorials. YEAR 2, BA Fine Arts. LICA. Lancaster University, UK.

TUTOR. (28 Feb 2017). GCSE PLUS. Sessions on Stress Management and Study Skills at Ripley St Thomas High School. Target Connect, Lancaster University, UK.

ASSISTANT LECTURER IN PAINTING. (8 Feb 2017). Technical workshop: Stretching, Sizing and Priming  Canvasses & Paper. YEAR 1 & 2, BA Fine Arts. LICA, Lancaster University, UK.

PhD IN ART STUDENT’S REPRESENTATIVE. (January 2016 – 2017). Lancaster Institute of Contemporary Arts (LICA). Lancaster University, UK.

TUTOR. (8 July 2016). Painting Workshop: ‘Migrating’. Exploring migrating in relation to wellbeing and social integration. Project leaders: Professor Emma Rose and Dr Amanda Bingley (Lancaster University). Liverpool, UK.

ASSISTANT LECTURER PAINTING. (22 & 24 March 2016). Technical workshop: Introduction Pictorial Materials and Methods. YEAR 1, BA Fine Arts. LICA, Lancaster University, UK.

ILLUSTRATOR. (Oct 2015). For Soundcloud of Electronic Music Producer, Ben Hurd (UK): https://soundcloud.com/silhouettedhorizons

WORKSHOP DESING AND TUTOR. (23 May 2015). Workshop Knitting a Fractal Quilt with Plastic Bags. Family and Community Day. ‘Open’, Live at LICA, Lancaster University, UK.

TUTOR. (12 March 2015). Painting Workshop: ‘Creativity and Connectivity’. Exploring successful ageing in relation to wellbeing and social isolation. Project leader: Professor Emma Rose (Lancaster University). Lancaster, UK.

ASSISTANT LECTURER. (26 & 28 Jan 2015). Technical workshop: Introduction to Pictorial Materials and Methods. YEAR 1, BA Fine Arts. LICA, Lancaster University, UK.

SEA BREEZE AMBASSADOR. (23 – 25 Sep 2014). Lancaster Arts. Morecambe, UK. https://www.liveatlica.org/whats-on/sea-breeze-2014

VOLUNTEERING IN PAINTING RESTORATION. (Apr – May & Sept – Dec 2011). Chesterman and Sons Studio. London, UK.

COURSE DESING AND TEACHER. (Aug – Dec 2010). Life Drawing course. Universidad Metropolitana de las Ciencias de la Educación (UMCE). Santiago, Chile.

COURSE DESING AND TEACHER. (July 2010). One day workshop on Monotype printing. Rudolf Steiner School. Santiago, Chile.

PAINTING CONSERVATOR & RESTORER. (Nov 2009 – Aug 2010). Project: Rescue of the documental heritage of the Chilean Commission of Human Rights. Santiago, Chile.

COURSE DESING AND TEACHER. (2009). Initiation on Restoration and Conservation. Escuela de la Artes y Oficios de Fuego. Santiago, Chile.

COURSE DESING AND TEACHER. (2009). Painting Materials. Escuela de la Artes y Oficios de Fuego. Santiago, Chile.

TEACHING ASSISTANT. (2009). Mural Painting’s Restoration of Guardian Angels Church Dome. Escuela de la Artes y Oficios de Fuego. Santiago, Chile.

INTERNSHIP IN PAINT SCIENTIFIC ANALYSIS. (Mar – Jul 2009). National Center of Conservation and Restoration. Santiago, Chile. Thesis at: http://goo.gl/n4GlfK

OBJECTS AND FURNITURE RESTORER. (2009 – 2011). Crown Relocations, Contact: Mario Torres. Santiago, Chile.

ARTIST PERSONAL ASSISTANT AND MANAGER. (August – November 2008). Viviana Padoani. Buenos Aires, Argentina.

DIGITAL ILLUSTRATOR. (Aug – Nov 2008). Imágina. Buenos Aires, Argentina.

EASEL PAINTING RESTORER. (28 – 30 Jul 2008). Assistant of Nestor Barrios. Buenos Aires, Argentina.

PROFESSIONAL PRACTICE IN EASEL PAINTINGS RESTORATION. (3 Mar – 25 Jul 2008). Taller Tarea, San Martín University. Buenos Aires, Argentina.

RESTORATION ASSISTANT. (Jul – Aug 2007). Verbo América Mural, Roberto Matta. Montes Becker Studio. Santiago, Chile.

CONSERVER. (2007). Archive of Ceramic collection, Andean Museum, Santa Rita vineyard. Buin, Chile.

EASEL PAINTING RESTORER. (2007 – 2011). Private Collections. Santiago, Chile. Selection of reports at: http://goo.gl/arWHHr – http://goo.gl/91tm8F –http://goo.gl/8rWZJ3

DIGITAL ILLUSTRATOR. (Mar 2007). Professional Practice at Cubo Negro Producers. Santiago, Chile.

UV TEXTURES PAINTER. (2007). Characters of the short film ´S11´. Santiago, Chile. http://www.youtube.com/watch?v=a-sFUat-xs0

TEACHING ASSISTANT. (2001 – 2005). Courses: Basic Drawing, Life Drawing I and II. Lecturers: Dr Danilo Espinoza and Juan Bustamante. Pontificia Universidad Católica de Chile (PUC). Santiago, Chile.

PUBLICATIONS

Rioseco, M. (2019). Minimalismo Gestual. In, Villegas, I. and Espinoza, D. (2019) La creación artística en artes visuales en Chile, y sus formas de investigación: el caso del sistema universitario. Santiago, Chile: Facultad de Artes Universidad Católica.

Rioseco, M. (2019). Heading Image in Chapter. In, Sholtsz, D. (2019). Deleuze and the Schizoanalysis of Feminism. Bloomsbury.

Rose, E., Bingley, A., Rioseco, M. and Lamb, K. (2018). ‘Art of Recovery: Displacement, Mental Health, and Wellbeing’. Arts. Available at: http://www.mdpi.com/journal/arts/special_issues/arts_refugees

Rioseco, M. (2018). Front Cover Image. Deleuze and Guattari Studies Journal. Volume 12 Number 3 2018. https://www.euppublishing.com/toc/dlgs/12/3

Rioseco, M. (2018). Following Cotton Fabric, Oil Paint And Plastic Bags. Proceedings of the 9th SAR – International Conference on Artistic Research April 11th – 13th 2018, University of Plymouth, UK. Available at: https://www.researchcatalogue.net/view/512748/512749

Rioseco, M. (2018). Gestural Minimalism: Developing a Pictorial Model in Light of Deleuzoguattarian and Enactive Theories. Unpublished PhD Thesis.

Rioseco, M. (2015). Entramado Digital: La Imagen Digital como un Sistema Complejo(June 2015). Digital Magazine “PENSAR EN FOTOGRAFÍA” Photograph group Art UC. https://pensarenfotografia.wordpress.com/

Rioseco, M. (2013). Complexity in Art: Through the works of Marcel Duchamp and Maurizio Cattelan. Unpublished MA Dissertation.

Rioseco, M. (2008). Restauración De Tres Pinturas de Caballete en el Taller TareaUniversidad de San Martin,Buenos Aires. Unpublished Post-grad Dissertation.http://www.tesis.uchile.cl/tesis/uchile/2008/rioseco_m/html/index-frames.html

Rioseco, M. (2004). A sewing work as an Entropic System. Unpublished BA Dissertation.

PRESENTATIONS

NINTH INTERNATIONAL CONFERENCE ON THE IMAGE 2018, HONG KONG. Baptist University, Hong Kong, SAR. (3rd – 4th November forthcoming). Paper presentation: Art of Recovery: Deterriatorialization and Transition. https://www.youtube.com/watch?v=qlY-jBiPZo0&feature=youtu.be

DELEUZE AND GUATTARI STUDIES 11th CONFERENCE 2018 CAMPINAS, BRASIL. (25 – 28 Jun 2018)Paper presentation: The war Machine: Teaching Art Non-representationally.

9th SAR INTERNATIONAL CONFERENCE FOR ARTISTIC RESEARCH. ARTISTIC RESEARCH WILL EAT ITSELF. (11 – 13 April 2018) Paper presentation: Following A Cotton Fabric, Oil Paint, Plastic Bags And Tissue Papers.

DELEUZE STUDIES 10th CONFERENCE 2017 TORONTO. (19 – 21 Jun 2017)Paper presentation: Fractals: Chromatic Continuum.

DELEUZE STUDIES 9th CONFERENCE 2016 ROME. (11 – 13 Jul 2016)Paper presentation: Visualisations Of Ontological Becoming.

LANCASTER SOCIAL SCIENCE INTELLECTUAL PARTY – SUMMER CONFERENCE 2016. (27 – 28 Jun) Long presentation: Visualising An Ontology Of Transformation.

LANCASTER POSTGRADUATE CONFERENCE 2016. (7 May 2016)Long presentation:  Complexity & Deleuzian Philosophy Performed Through Painting.

TALK at ST PAUL’S CHURCH. (25 April 2015) Open day of Fractals: Icons Exhibition.

AWARDS

FASS PGR CONFERENCE PRESENTATION GRANT 2017-18. (June 2018). Funding for attending DELEUZE AND GUATTARI STUDIES CONFERENCE 2018, in Campinas, Brazil.

JOHN MOORES PRIZE 2018 – SELECTED FOR STAGE 2 with Painting Fractals: Atoms: Waves (triptych) http://macarenarioseco.com/2016-2/fractals-atoms-waves-triptych/

FASS PGR CONFERENCE PRESENTATION GRANT 2016-17. (March 2017). Funding for attending DELEUZIAN STUDIES CONFERENCE 2017, in Toronto, Canada.

WILLIAM RITCHIE AND FRIEND’S PROGRAMME TRAVEL FUND. (July 2016). Funding for attending DELEUZIAN STUDIES CONFERENCE 2016, in Rome, Italy.

BECAS CHILE FUNDING FOR PhD STUDIES. (2013). Chilean National Scholarship Program for PhD Studies. Full scholarship.

BECA FONDART FOR STUDENT EXCHANGE. (2003). National funds for the Arts and Culture, Chilean Government.

SHORT COURSES

ASSOCIATE TEACHING PROGRAMME 2018-2019. (Jan – May 2019). Designed in alignment with the UK Professional Standards Framework (UKPSF) to provide a structured approach to the academic and professional development. Successful completion of the programme leads to professional recognition as an Associate Fellow of the Higher Education Academy. Lancaster University, UK.

QUESTIONER DESIGN. (6 December 2016). Lancaster University, UK.

USING TURNINGPOINT PERSONAL RESPONSE SYSTEM IN TEACHING. (15 November 2016). Lancaster University, UK.

ART AND SCIENCE MASTERCLASS. (5th July 2016). Lancaster University, UK.

WORKSHOP: EXPLORING ARTISTIC PRACTICE USING MICROBIOLOGICAL SYSTEMS. (25th & 26th March 2015). Lancaster University, UK. http://insight.lancaster.ac.uk/?p=1164

INTRODUCTION TO TEACHING. (22 October 2014). Lancaster University, UK.

GILDING COURSE, THEODOROS PAPADOPOULOS.(28 – 30 May 2013). 21 hours. Larissa, Greece.

BINDING COURSE, AMILLO BINDING STUDIO. (Mar – Apr 2012). 24 hours. Madrid, Spain.

GILDING COURSE, CUATROCENTTRO STUDIO. (Mar 2012). 45 hour. Madrid, Spain.

WORKSHOP: NEW METHODS OF CLEANING SURFACES OF PAINTINGS, RICHARD WOLBERS. (16 – 20 Feb 2012). Santiago, Chile.

WORKSHOP: WOOD CONSERVATION. (Sep 2009). Lorenzo Casamenti, Santiago, Chile.

DIGITAL ILLUSTRATION WORKSHOP. (19 – 24 Jan 2009). Alberto Montt, Francisco Javier Olea. Santiago, Chile.

WORKSHOP: DIGITAL PHOTOGRAPHY FOR RESTORATION. (2007). Universidad de Chile Santiago, Chile.

PERSONAL INTERESTS

MINDFULNESS MEDITATION. (29 May – 17 July 2015). Eight weeks course. Teacher: Will Medd. Lancaster University, UK.

STREET DANCE TUTOR. (07 Feb 2015). Development training day for teaching 6-11 year old students at primary schools. Ludus Dance, Lancaster UK.

VIPASSANA MEDITATION COURSE. (27 Jul – 07 Aug, 2011). Thailand.

THAI MASSAGE AND OIL MASSAGE COURSES. (Jul 2011). 10 days course, What Po Medical centre, Bangkok, Thailand.

SAINT GERMAIN FLOWERS COURSE. (Jan 2011). Teacher: Danae Saenz.

BACH FLOWERS COURSE. (Apr – Dec 2009). Teacher: Danae Saenz (72 hours).

ASHTANGA YOGA PRACTICE. (2009 – td).

CONTEMPORARY AND CLASSIC DANCE. (1995 – 2005). Evelyn Cordero Conservatory and IDAEa Contemporary Dance Company.